Showing posts with label Turkey. Show all posts
Showing posts with label Turkey. Show all posts

27 June 2016 - GALLIPOLI





GALLIPOLI

G'day folks,

This is a place well known to all Australians, and what happened there is acknowledged every Anzac Day.


On the 25th of April 1915, the British landed Australian soldiers at Gallipoli as part of an offensive against the Turkish control of the Dardanelles. Quite stupidly, they landed the Diggers not on an open plain but on scrub-covered hills. The Turks were dug in from elevated positions and mowed down the Diggers as they leapt from the boats. Of the 1500 men who landed in the first wave, only 755 remained in active service at the end of the day.  

Over the following nine months, more than 7,500 Australians lost their lives.  The campaign was then aborted and victory handed to the Turks. However, for reasons many people find difficult to understand, Gallipoli went on to become one of the most immortal events in Australian history. 



One of the people who had trouble understanding the importance of Gallipoli was ex-Prime Minister Paul Keating. In 2008, Keating announced that Gallipoli was a useless battle that was fought for British interests. Keating also declared that he had never set foot in Gallipoli and never would. According to Keating:

"Dragged into service by the imperial government in an ill-conceived and poorly executed campaign, we were cut to ribbons and dispatched -- and none of it in the defence of Australia." 

Other critics have included historians Robin Prior and Trevor Wilson. In 2002, the historians ran a campaign in the Sydney Morning Herald in which they criticised the Australian celebration of Gallipoli on the grounds it, "excludes more than half the population: women, indigenous people and most ethnic groups."

The historians also stated that Australians today should have the maturity to realise that Gallipoli was a battle fought in vain. 

Arguably, Keating, the historians and those who agree with them were reacting to some of the early news reports that positioned Gallipoli as a triumph of Australian nationalism. For example, war correspondent Ashmead-Bartlett wrote things such as:

“The Australians rose to the occasion. They did not wait for orders, or for the boats to reach the beach, but sprang into the sea, formed a sort of rough line, and rushed at the enemy’s trenches. Their magazines were not charged, so they just went in with the cold steel, and it was over in a minute for the Turks in the first trench had been either bayoneted or had run away, and the Maxim guns were captured.”



Ironically, such accounts probably damaged the very nationalistic feeling that they were intended to promote. Firstly, when the truth came out that Gallipoli was not "over in a minute", the public's faith in authorised versions of nationalism was eroded. Secondly, while soldiers often went in with "cold steel", this was because their commanding officers were more worried about losing bullets in a hopeless charge than losing lives. Consequently, they ordered that the soldiers leave the magazines behind when they went over the top. Again, the result was a loss of faith in superiors. 

While critics like Keating have been unable to see past the dubious propaganda of Gallipoli, the soldiers who fought in the campaign used the realities of their experiences to build their own version of Australian nationalism and the Australian identity. Rather than be based upon soldiers obeying without question, sacrificing oneself for the commanding officer, or winning a glorious battle using bayonets alone, the Diggers' version of nationalism revolved around remembering the fallen.   

This began on the 25th April 1923 at Albany in Western Australia when the Reverend White led a party of friends in what was the first ever observance of an Anzac Day dawn service. As the light was coming up, the men looked to the ocean and said a paragraph from the poem, Ode for the Fallen:
 
"They shall grow not old, as we that are left grow old;
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them."


 The poem neither attributed right or wrong nor did it glorify war as the liberator of freedom. It simply articulated what the war meant to those who were involved in it. 



The ode was the perfect poem fo positioning Gallipoli as a remembrance of humanity. If Australians only remembered battles because they achieved a purpose, then those who died at the Gallipoli should be forgotten as they died for nothing. If Australians remembered a battle as a triumph of good over evil, then they would be imposing morality in war. In such scenarios, the fallen Diggers could be judged as dying for a immoral cause considering they were invading someone else's country. By remembering a battle that was a failure, right or wrong became irrelevant. Because the story of Gallipoli cannot be used to glorify freedom or be seen as a triumph of truth, justice and the Australian way, the story forced Australians to remember exactly what the war meant to the Diggers who fought in it. 

It many ways, it was understandable that Keating wouldn't be endeared to the story of Gallipoli. The Anzac traditions that grew of it were just too human for politicians to respect, while the story itself so vividly revealed how the trusting public can be betrayed by those who were meant to protect their interests. Such politicians would prefer a more glorious battle, such as the Battle of Hamel in 1918, where Australians broke the stalemate of World War 1 with an innovative Blitzkrieg strategy. Another battle was the World War 2 battle of Kokoda, where Australians repelled a Japanese invading force. This was Keating's favourite. 

While the Battle of Hamel and Kokoda definitely were more consistent with the traditional conceptions of nationalism where soldiers died in the pursuit of a great victory, Gallipoli best illustrated war in all its inhumanity, and the humanity that could spring from that. While not everyone in Australia would agree, being able to appreciate that humanity is what makes Australian’s version of nationalism superior to most other versions around the world. 



 Gallipoli and the Nek

One minor battle, that for the Nek, has come to symbolise the essence of the Gallipoli campaign. The Nek was a position of Turkish trenches 18 meters from those of the Australians that the British commandeers believed could be taken with four offensive raids. At 4.30 am on the 7th August 1915, the first wave of Diggers leapt from their trenches and were mown down by Turkish machine guns. The second, then third and then fourth shortly followed and met a similar fate. Within minutes, 800 Australians lay dead or wounded on a piece of ground no larger than two tennis courts. The charge was then called off.



Why remember Gallipoli?

"Getting ashore was not that hard. Hanging on, up on that ridge, for eight months - that was hard. The Australians defended absurd positions. They looked after each other. They kept their good humour. There is a cheerfulness in soldiers' letters from Gallipoli one seldom comes upon in letters from France. The food was unspeakable, the flies a plague. [So were] dysentery and lice ... The miracle is simply these men didn't lose heart. And they didn't, not even when they knew all was lost and they were creeping away by night, leaving so many dead. 

"That, to me, is why we are right to remember Gallipoli. We are surely right to honour them. We are surely right to walk past the political intrigues and the blunders and say Gallipoli says something good about the Australian people and the Australian spirit."
 
Les Carlyon 



Clancy's comment: Yes, Anzac Day is a very solemn day for Australians. I've been to Gallipoli only once. At the time, I had a Turkish girlfriend. Although it was not Anzac Day, we sat on the beach of Anzac Cove and paid our respects to those who battled there; our relatives.

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Here are some shots I 
took this Anzac Day.












30 October 2014 - UNDERGROUND CITY DISCOVERED


UNDERGROUND 
CITY DISCOVERED

G'day folks,

I love featuring new discoveries. Here is another one , found in Turkey.
In 1963, a man in the NevÅŸehir Province of Turkey knocked down a wall of his home. Behind it, he discovered a mysterious room and soon discovered an intricate tunnel system with additional cave-like rooms. What he had discovered was the ancient Derinkuyu underground city in Turkey.


The elaborate subterranean network included discrete entrances, ventilation shafts, wells, and connecting passageways. It was one of dozens of underground cities carved from the rock in Cappadocia thousands of years ago. It remained hidden for centuries.


The underground city at Derinkuyu is neither the largest nor oldest, but its 18 stories make it the deepest. The city was most likely used as a giant bunker to protect its inhabitants from either war or natural disaster.

It had access to fresh flowing water -- the wells were not connected with the surface to prevent poisoning by crafty land dwellers. It also has individual quarters, shops, communal rooms, tombs, arsenals, livestock, and escape routes. There's even a school, complete with a study room.


Check out these photographs.




















Clancy's comment: Amazing, eh? What else will we find buried beneath the earth?

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Think about this!



6 December 2012 - Emel Alp Sari - Guest Illustrator


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Quote of the day:


"Peace begins with a smile. Only God knows our true needs."



Mother Teresa


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Emel Alp Sari




Guest Illustrator


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G'day guys,


Today I welcome a special guest from Turkey - Emel Alp Sari. Emel was born in 1979 in Hanover, Germany. She graduated from Dokuz Eylul University in 2004 with a BA degree in Graphic Design and is currently taking her MA in Graphic Design in Fine Arts Institute at Dokuz Eylul University. Emel has been working as a freelance illustrator since 2002 and worked in Istanbul between 2004 and 2008. She prefers using digital colouring, ecoline, gouache and coloured pencil techniques for her illustrations. Welcome, Emel. Tell us more about the wonderful life of an illustrator ...

TELL US A LITTLE ABOUT YOURSELF AND YOUR ILLUSTRATING JOURNEY.

I studied at Dokuz Eylul University in Graphic Design. Now I'm still studying masters degree at  the same department. I have been working as a freelance illustrator since I was a student at university. Actually I thought that I would be a graphic designer in an advertising agency when I saw my name in the students list of fine arts exam. I was nervous about working under a stressful atmosphere of an office. I had no idea how big the art world is. When I first met with illustration as an art, it was like being dizzy in a wonderworld. After that I couldn't imagine that I would be something else except being an illustrator.

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WERE YOU GOOD AT DRAWING AS A KID?

My teachers thought thatI was better than the other kids. Also my friends had wanted me to draw their drawing homeworks many times :)

WHEN AND HOW DID YOU BECOME AN ILLUSTRATOR?

I was my third year at fine arts school. I was an apperantice in an advertising agency in my country. My boss, Halil Ibrahim Yıldrım, was my illustration teacher at school at the same time liked my artwork. He is a very good illustrator and cartoonist. Also he has drawn for children's books for years. And he encouraged me to draw for children's books. And then,I drew my first picrued book series "Nilsu is reading and learning". I think I was working for the right person at right time.

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WHAT DO YOU ENJOY MOST ABOUT BEING AN ILLUSTRATOR?


I can't say any particular thing. But I like drawing skeches with pencil and trying to paint with different kinds of materials.

WHAT IS THE HARDEST THING ABOUT BEING AN ILLUSTRATOR?

The hardest thing thing is definitely working with people who has no idea about drawing and illustrated books. Sometimes they think that I am a camera or printer. Infact, they are insisting to bargain as they are buying vegetables from a wholesaler.

DO YOU WORK FOR YOURSELF, OTHERS OR BOTH?

Generally I work for others.  I have some projects for myself but they aren't on process yet.

WHAT WERE YOU IN A PAST LIFE, BEFORE YOU BECAME AN ILLUSTRATOR?

I was an art student.

WHAT IS YOUR GREATEST ACHIEVEMENT?

My greatest achievement was illustrating "Ancient Queendom", written by Roya Hendesi. It was my first international work.

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WHAT ARE YOU WORKING ON AT THE MOMENT?


I have 2 story books projects and a coloring book project for 3 year old kids.

WHAT IS YOUR FAVOURITE MEDIUM?

Actually I prefer a few types of mediums.But I can't say a onlly one type. Because Genarally I prefer using different kind of markers on watercolor,and pencil drawings. Although I have to use digital coloring not to lose time for most of prejects. But I think the most exciting medium is art printing.

WHAT INSPIRES YOU?

Sometimes really good illustrators' artworks, sometimes  a small doodling.

WHAT DO YOU PREFER TO ILLUSTRATE?

I like to illustrate creepy and funny animals.

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DO YOU HAVE ANY TIPS FOR EMERGING ILLUSTRATORS?

I have a Wacom Intuos4. It is very practical and easy to use for digital coloring. I think it has started a new age for illustrators.

DO YOU SUFFER FROM ILLUSTRATOR’S BLOCK?

Well, sometimes. Text books rules blocks creativity many times. But except that, sometimes making a living from illustration is very hard not only in my country in many countries. An illustrator has to be a carefull accounter, a fast crastsman and a smart promoter at the same time.

DO YOU HAVE A PREFERRED SCHEDULE?

Yes I have to. Bacause deadline is averything for publishers.:)

DO YOU HAVE A FAVOURITE PLACE TO ILLUSTRATE?

Not yet. But I'm living with a big family. so it is hard to be focused on a work for a long time. So I'll move to a small flat using as a studio in a very short time. But my dream is an art studio where I can use any art printing techniques and craft anything I want.

WHAT IS YOUR GREATEST JOY IN YOUR WORK?

The time feeling satisfied after I focused on an illustration very much. I feel very happy like a child when  people like my work.

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WHO IS YOUR FAVOURITE ILLUSTRATOR AND WHY?

I can't say only one name. Imaginism studios' illustrators Bobby Chiu & Kei Acedera  and Stephen Cartwright is my sources of inspiration. I can give a list like that to you:)

WHAT’S THE GREATEST COMPLIMENT YOU EVER RECEIVED?

Author of Ancient Queendom, Roya Hendesi has opened her home's door to me when we visited New Zealand with my husband. Now we are very good friends. I can never forget her and whole family. They accepted us as a family member. This is the biggest compliment ever.

WHAT WAS THE WORST COMMENT YOU EVER RECEIVED?

It was my first year as an freelancer. I was visiting many pubishers' offices one by one to find a job. One of them critisized one of my first books. The editor  said to me "If I were you I wouldn't show that book anyone" It is a heart breaking for me. Actually that book wasn't that bad although it was very lefthanded and naive.

WRITERS ARE SOMETIMES INFLUENCED BY THINGS THAT HAPPEN IN THEIR OWN LIVES. ARE YOU?

Definetly. I drew me and my husband as a pin-up character when we first met. I drew my budgies my niece millons of times

HOW MANY BOOKS HAVE YOU ILLUSTRATED?

If I count all the books includes educational books maybe more than 100.

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HAVE YOU WON ANY PRIZES OR AWARDS?

I shared 2 mention awards with writer and my friend Roya Hendesi from Halloween Book Festival and London Book Festival for "Ancient Queendom".

WHAT DID THEY MEAN TO YOU?

That means I am on the way to being published internationally.

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OTHER THAN DRAWING, WHAT ELSE DO YOU LOVE?

I like collecting good illustrated any kind of books, swimming, playing computer games, taking photograph, art crafting .

DESCRIBE YOUR PERFECT DAY.

In these days, a perfect day is waking up energetic and peaceful. Drink my vanilla coffee to be concentrated on working all the day. After that watching a good film.

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WHAT ARE YOUR PLANS FOR THE FUTURE?

Setting up my art printing studio, so I will be able to illustrate books and everything possible in any kind of technique.

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More of Emel's wonderful work!


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Emel's Contact Points:


LinkedIn: http://www.linkedin.com/pub/emel-alp-sar%C4%B1/6/40a/303 


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Website: http://emelalpsari.com/


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*** Emel's latest news!!! ***


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"I am  very happy today. Because  ”Ancient Queendom” won a honorable mention from London Book Festival at Children’s Books Category.


Many thanks to my dear friend  and the author of  ”Ancient Queendom” , Roya Hendesi.

I think destiny is this, becoming together from  two different and the furthest parts of the world to make a sign from the past to future..

Bugün çok mutluyum çünkü Roya Hendesi’nin yazmış ve benim resimlemiÅŸ olduÄŸum Ancient Queendom Londra Kitap Festivali’nden çocuk kitapları kategorsinde bir mansiyon ödülü aldı.

İşte kader bu olsa gerek, dünyanın en uzak iki ayrı ucundan bir araya gelip,geçmişten geleceğe bir iz bırakmak."

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Clancy's comment: Wow! Congratulations! Emel, great to have you on my blog. Love your illustrations. I admire anyone who can write with pictures. Grab a vanilla coffee and keep going. Love ya work - CT!



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